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This listing of journal articles about Kate Chopin and her work draws on Kate Chopin: An Annotated Bibliography of Critical Works by Suzanne Disheroon Green and David J. Caudle, Edith Wharton and Kate Chopin: A Reference Guide by Marlene Springer, “Kate Chopin: An Annotated Bibliography” in the Bulletin of Bibliography by Thomas Bonner, Jr. and the databases of the Modern Language Association and ProQuest, among other sources.You can find most of these articles at a research or other large library. Many of them are available online through a library. And you can find other lists of resources on this site:

Books and books of essays about Kate Chopin and her work
Articles about Kate Chopin published from 1985 through 1999
Articles about Kate Chopin published before 1985
Kate Chopin translations and scholarship into German
Kate Chopin translations and scholarship into Portuguese
Kate Chopin translations and scholarship in Spain
PhD dissertations about Kate Chopin

Although “Kate Chopin” may not appear in the title, each article listed here discusses Chopin’s work at some length. The newest articles are listed first. Articles added in 2017 or later are formatted according to guidelines in the Eighth Edition of the MLA Handbook

Distel, Kristin M. “‘Free! Body and Soul Free!’: The Docile Female Body in Kate Chopin’s ‘The Story of an Hour’.” New Woman’s Writing: Contextualising Fiction, Poetry and Philosophy, Subashish Bhattacharjee and Girindra Narayan Ray, editors. Cambridge Scholars Publishing, 2018, pp. 65–78.

Koloski, Bernard. “Kate Chopin.” Oxford Bibliographies in American Literature, edited by Jackson Bryer. Oxford UP, updated 2018.

Evans, Robert C. “Kate Chopin’s Flash Fiction and Flash Fiction Theory.” Flash Fiction, Michael Cocchiarale and Scott D. Emmert (ed. and introd.), Salem; Grey House, 2017, pp. 69-83. Critical Insights

Shaker, Bonnie James, et al. “Recovering Kate Chopin’s ‘Her First Party’: Media, Mediation, Message.” American Periodicals: A Journal of History and Criticism, vol27, no. 1, 2017, pp. 21–24.

Khoshnood, Ali. “Kate Chopin’s The Awakening: an exploration of Edna Pontellier’s transition during her Mid-Life Crisis.” Neohelicon, First Online, May 9, 2017. Springer Link, doi: 10.1007/s11059-017-0388-7.

Zibrak, Arielle. “Kissing a Photograph: Reproductive Panic in Kate Chopin and Thomas Hardy.” Criticism: A Quarterly for Literature and the Arts, vol. 58, no. 3, 2016, pp. 355–374.

Beer, Janet and Avril Horner. “Southern Hauntings: Kate Chopin’s Gothic.” In Susan Castillo, ed.  The Palgrave Handbook of the Southern Gothic. 95–107. Palgrave Macmillan, 2016.

Demir-Atay, Hivren. “Blindness and Insight in Kate Chopin’s ‘The Blind Man’.” Explicator, vol. 74, no. 3, July 2016, pp. 177–179.

George, Jessica Bridget. ““The Whole Island Seems Changed”: A Bioregional Approach to Kate Chopin’s Fiction.” Journal of the Midwest Modern Language Association, vol. 49, no. 1, 2016, pp. 25–51.

Hildebrand, Molly J. “The Masculine Sea: Gender, Art, and Suicide in Kate Chopin’s the Awakening.” American Literary Realism, vol. 48, no. 3, 2016, pp. 189–208.

Rooks, Amanda Kane. “Reconceiving the Terrible Mother: Female Sexuality and Maternal Archetypes in Kate Chopin’s The Awakening.” Women’s Studies, vol. 45, Jan–June 2016, pp. 122–41.

Fox, Heather. “Mapping Spatial Consciousness in Kate Chopin’s Bayou Folk Stories.” South: A Scholarly Journal, vol. 48, no. 1, 2015, pp. 108–128.

Pflueger, Pennie. “The Piano and Female Subjectivity: Kate Chopin’s The Awakening (1899) and Jane Campion’s The Piano (1993).” Women’s Studies: An Interdisciplinary Journal, vol. 44, no. 4, June 2015, pp. 468–498.

Sedehi, Kamelia Telebian, et al. “Subjectivity, Individuality and Abjection in Kate Chopin’s the Awakening.” International Journal of Comparative Literature and Translation Studies, vol. 3, no. 4, 2015, pp. 14–19.

Rajakumar, Mohanalakshmi. “Kate Chopin and the Non-American Reader.” Teaching American Literature: A Journal of Theory and Practice 7.3/4 (Fall/Winter 2015): 49–57.

Morales, Maribel. “Women And Nature In Willa Cather And Her Contemporaries.” Willa Cather Newsletter & Review, vol. 57, no. 3, 2015,  pp. 33–40.

George, Sarah Forest. “A Vanishing Act: The Invisible Quadroons of Chopin’s The Awakening.” Ethos: A Digital Review of Arts, Humanities, and Public Events 2.1 (April 2015): 38–47.

Anshen, David. “Sandy Petrey’s Unacknowledged Contribution to Historical Materialism.” In Robert Harvey and Patrice Nganang, eds. Realism and Its Vicissitudes. 17–38. New York: Peter Lang, 2015.

Bonner, Thomas, Jr. “Edna, Cyrille Arnavon’s Translation of Kate Chopin’s The Awakening: Publication Dates and History.” ANQ 28 (2015): 56–57.

Crowley, John William. “Kate Chopin, Frédéric Chopin, and the Music of the Future.” American Literary Realism 47 (2015): 95–116.

Khoshnood, Ali. “To Conform or Not to Conform: Conflicts of Motherhood in Kate Chopin’s Selected Fiction.” Journal of International Social Research, 7 (2014), 206–14.

Thomières, Daniel. “An Experiment in Identity: Kate and Edna in The Awakening.” LATCH: A Journal for the Study of the Literary Artifact in Theory, Culture, or History, vol. 7, 2014, pp. 20–54.

Mohr, Amy Doherty. “Down the River, Out to Sea: Mobility, Immobility, and Creole Identity in New Orleans Regional Fiction (1880-1910).” European Journal of American Studies Supplement (2014).

Bai, Limin. “The Re-understanding of Edna Pontellier’s Death.” Theory and Practice in Language Studies 4.4 (2014): 845–49.

Giorcelli, Cristina. “Gender and Power: Dressing ‘Charlie’.” In Cristina Giorcelli and Paula Rabinowitz, eds. Fashioning the Nineteenth Century: Habits of Being 3. 229-259. Minneapolis, U of MN P, 2014.

Noe, Marcia, Rachel Davis, and Brittain Whiteside-Galloway. “Performative Fashion in the Fiction of Kate Chopin.” Midwestern Miscellany 42 (2014): 19–31.

Castro, Amanda Lee. “Storm Warnings: The Eternally Recurring Apocalypse in Kate Chopin’s The Awakening.” Southern Literary Journal 47 (2014): 68–80.

Morgan, Thomas Lewis. “Criticizing Local Color: Innovative Conformity in Kate Chopin’s Short Fiction.” Arizona Quarterly: A Journal Of American Literature, Culture, And Theory 70.1 (2014): 135-171.

Articles in Evans, Robert C. Critical Insights: The Awakening. Ipswich, MA: Salem, 2014:

Koloski, Bernard. “On The Awakening.” [How to Understand Edna Pontellier]: 2–15.

Rottgering, Courtney. “Biography of Kate Chopin”: 16–23.

Ulin, Julieann Veronica. “The Awakening and Impressionism”: 24–39.

Bray, Stephen Paul, and Sarah Fredericks, “The Chief Characters in The Awakening”: 40–58.

Evans, Robert C. “Surprises, Complications, Shifts, and Juxtapositions”: 59–73.

—. “Mark Twain, Kate Chopin, Huckleberry Finn”: 74–87.

—. “Was The Awakening Banned or Burned?”: 90–111.

Dyer, Joyce. “A Letter to Students as They Read The Awakening”: 112–29.

Evans, Robert C. “Defending The Awakening”: 130–45.

—. “In Defense of Robert Lebrun”: 146–61.

Melton, Jeffrey. “Tourism and Landscape in The Awakening.” 162–75.

Bonner, Thomas, Jr. “Kate Chopin’s The Awakening as Travel Literature.” 176–89.

Papke, Mary E. “Reading Chopin Reading.” 190–204.

Arner, Robert D. “Gendered Discourse in The Awakening.” 205–16.

Evans, Robert C. “Humor in The Awakening.” 217–31.

Ramos, Peter J. “The Awakening as a Cautionary Tale.” 232–45.

Wehner, David Z. “Reading The Awakening through Kate Chopin.” 246–60.

Beer, Janet, and Helena Goodwyn. “The Awakening: Authenticity and the Artist.” 261–74.

Doloff, Steven. “Kate Chopin’s Lexical Diagnostic in ‘The Story of an Hour’.” Notes And Queries 61 (259).4 (2014): 580–81.

Kotlarczyk, Adam. “Before PTSD: Combat Trauma in the Civil War Short Stories of Kate Chopin.” Notes On American Literature 23. (2014): 23–31.

McConnell, Mikaela. “A Lost Sense of Self by Ignoring Other in The Awakening by Kate Chopin.” Explicator 72.1 (2014): 41–44.

Evans, Brad. “Vogue and Ephemera: the Little Magazines of the 1890s.” On-line, 1 Oct 2014. [Lists 19 Chopin stories in Vogue, describes her as a “daring writer,” and asserts her as being almost “a staff fiction writer for Vogue.” See pp 1-3 of 37.]

Berenji, Fahimeh Q. “Time and Gender in Charlotte Perkins Gilman’s ‘The Yellow Wall-Paper’ and Kate Chopin’s ‘The Story of an Hour’.” Tarih Kültür Ve Sanat Araştırmaları Dergisi/Journal of History, Culture & Art Research, vol. 2, no. 2, 2013, pp. 221–234.

Erastus-Obilo, Bethel. “The Literary Kiss: Gestures of Subterfuge.” Neohelicon: Acta Comparationis Litterarum Universarum 40.1 (2013): 315–24.

Shaker, Bonnie James, and Angela Gianoglio Pettitt. “‘Her First Party’ as Her Last Story: Recovering Kate Chopin’s Fiction.” Legacy: A Journal Of American Women Writers 30.2 (2013): 384-396.

Freitag, Florian. “Rencontres Américaines: Encounters between Anglo-Americans and French Americans in Kate Chopin’s Short Stories.” Amerikastudien/American Studies 58.3 (2013): 409-26.

Entzminger, Betina. Contemporary Reconfigurations of American Literary Classics: The Origin and Evolution of American Stories. New York, NY: Routledge, 2013.

Stevens, Jenny. “In Praise of the Short Story.” Use Of English 64.3 (2013): 52-56.

Tewelde-Negassi, Sara. “The Denotation of Room and its Impact on the Construction of Female Identity in Kate Chopin’s The Awakening.” Gender Forum 45.(2013).

Utsu, Mariko. “A Subversive Subplot in Kate Chopin’s ‘Ma’ame Pélagie.'” The Journal of the American Literature Society of Japan 12 (2013): 21–33.

Ryan, James Emmett. “Trading Religion for Feminism: Kate O’Flaherty Chopin’s Bayou Catholics.” In James Emmett Ryan, Faithful Passages: American Catholicism in Literary Culture, 1844-1931, 145–63. Madison: U of Wisconsin P, 2013.

Koscher, Adeline Carrie. “The New Woman Chafes Against Her Bonds.” Critical Insights:Literature of Protest, edited by Kimberly Drake, Salem Press, 2013, pp. 144–166. Critical Insights Series.

Sümer, Sema Zafer. “The Birth Of A New ‘Self’ And A New ‘Identity’ In Kate Chopin’s Short Stories.” Selçuk Üniversitesi Sosyal Bilimler Enstitüsü Dergisi 27.(2012): 271-276.

—. “‘The Story of an Hour’ Or The Story of a Lost Lady in The Shadow of the Patriarchy’s Ideology.” Selçuk Üniversitesi Sosyal Bilimler Enstitüsü Dergisi 28.(2012): 191-196.

Smith Hart, Monica. “Arson and Murder in Kate Chopin’s At Fault.” Explicator 70.3 (2012): 179-182.

Sempreora, Margot. “Dead Women Talking: The Transgressive Manuscripts of Kate Chopin’s ‘Her Letters’ and ‘Elizabeth Stock’s One Story.'” Mississippi Quarterly 65 (2012): 451–63.

Wolter, Jürgen C. “Southern Hesters: Hawthorne’s Influence on Kate Chopin, Toni Morrison, William Faulkner, and Tennessee Williams.” Southern Quarterly 50 (2012): 24–41.

Diederich, Nicole. “Sharing Chopin: Teaching ‘The Story of an Hour’ to Specialized Populations.” Arkansas Review 43 (2012): 116–20.

Smith Hart, Monica. “Arson and Murder in Kate Chopin’s At Fault.” Explicator 70 (2012 ): 179–82.

Cho, Ailee. “Interpellation and Beyond: Kate Chopin’s ‘Her Letters.’” Explicator 70 (2012): 100–03.

Giorcelli, Cristina. “Sheer Luxury: Kate Chopin’s ‘A Pair of Silk Stockings.’” In Cristina Giorcelli and Paula Rabinowitz, eds. Exchanging Clothes: Habits of Being 2. 78–96. Minneapolis: U of Minnesota P, 2012.

Gilmore, Paul. “Reading Minds In The Nineteenth Century.” The Oxford Handbook of Nineteenth-Century American Literature. 327–342. Oxford, England: Oxford UP, 2012.

Franklin, Rosemary F. “Chopin’s The Awakening: A Semiotic Novel.” PsyArt: An online journal for the psychological studies of the arts (August 17, 2011): n. pag.

Wehner, David Z. “‘A Lot Up For Grabs’: The Idiosyncratic, Syncretic Religious Temperament Of Kate Chopin.” American Literary Realism 43.2 (2011): 154–168.

Witherow, Jean. “‘Abysses Of Solitude’: Chopin’s Intertextuality With Flaubert.” Mississippi Quarterly: The Journal Of Southern Cultures 64.1-2 (2011): 87–113.

Davis,William A. Jr. “Female Self–Sacrifice in Kate Chopin’s The Awakening: Conflict and Context.” Notes and Queries 58.4 (2011): 563–67.

Kornasky, Linda. “‘Discovery Of A Treasury’: Orrick Johns and the Influence of Kate Chopin’s The Awakening On Edith Summers Kelley’s Weeds.” Studies In American Naturalism 6.2 (2011): 197–215.

Mou, Xianfeng. “Kate Chopin’s Narrative Techniques and Separate Space in The Awakening.” Southern Literary Journal 44.1 (2011): 103–20.

Tas, Mehmet Recep. “Kate Chopin’s The Awakening in the Light of Freud’s Structural Model of the Psyche.” Uluslararas Sosyal Arastrmalar Dergisi/Journal of International Social Research 4.19 (2011): 413–18.

Guo, Qiqing, and Jiannan Tang. “Zi Wo, She Hui Yu nü Xing Ming Yun-Jue Xing Yu Zi Yan Se Zhong De nu Zhu Ren Gong Zhi Bi Jiao” [in Chinese]. Foreign Literature Studies/Wai Guo Wen Xue Yan Jiu 33.1 (2011): 42–47.

Wehner, David Z. ” ‘A Lot Up for Grabs’: The Idiosyncratic, Syncretic Religious Temperament of Kate Chopin.” American Literary Realism 43.2 (2011): 154–68.

Mainland, Catherine. “Chopin’s Bildungsroman: Male Role Models in The Awakening.” Mississippi Quarterly 64.1–2 (2011): 75–85.

Witherow, Jean. ” ‘Abysses of Solitude’: Chopin’s Intertextuality with Flaubert.” Mississippi Quarterly 64.1–2 (2011): 87–113.

Ma, Zuqiong. “New South, New China, and the Refashioning of Womanhood: A Comparative Study of Kate Chopin’s The Awakening and Zhang Ailing’s Lust, Caution … (Se jie).” Interdisciplinary Humanities 27 (2010): 37–45.

Glendening, John. “Evolution, Narcissism, and Maladaptation in Kate Chopin’s The Awakening.” American Literary Realism 43.1 (2010): 41–73.

Bonner, Thomas, Jr. “New Orleans and Its Writers: Burdens of Place.” Mississippi Quarterly 63. 1–2 (2010): 95-209.

Ramos, Peter. “Unbearable Realism: Freedom, Ethics and Identity in The Awakening.” College Literature 37.4 (2010): 145–65.

Shen, Dan. “Wen Xue Ren Zhi: Ju Ti Yu Jing Yu Gui Yue Xing Yu Jing” [in Chinese]. Foreign Literature Studies/Wai Guo Wen Xue Yan Jiu 32.5 (2010): 122–28.

Pegues, Dagmar. “Fear and Desire: Regional Aesthetics and Colonial Desire in Kate Chopin’s Portrayals of the Tragic Mulatta Stereotype.” Southern Literary Journal 43.1 (2010): 1–22.

Shen, Dan. “Implied Author, Overall Consideration, and Subtext of ‘Désirée’s Baby.’ ” Poetics Today 31.2 (2010): 285–311.

Park, Hyun-Kyung. “[Sexuality and Domesticity in Jane Eyre and The Awakening].” British and American Fiction to 1900 17.1 (2010): 5–27.

Wan, Xuemei. “Jue Xing: Chuan Yue Shi Kong De Xin Ling Zhi ‘Shi’ ” [in Chinese]. Foreign Literature Studies/Wai Guo Wen Xue Yan Jiu 32.2 (2010): 143–50.

Ewell, Barbara C., and Pamela Glenn Menke. “The Awakening and the Great October Storm of 1893.” Southern Literary Journal 42.2 (2010): 1–11.

Kohn, Robert E. “Edna Pontellier Floats into the Twenty-First Century.” Journal of Popular Culture 43.1 (2010): 137–55.

Mayer, Gary H. “A Matter of Behavior: A Semantic Analysis of Five Kate Chopin Stories.” ETC.: A Review of General Semantics 67.1 (2010): 94–104.

Utsu, Mariko. “Lesbian and Heterosexual Duality in Kate Chopin’s ‘Lilacs.’ ” Mississippi Quarterly 63.1–2 (2010): 299–312.

Stuffer, Deidre. “Edna Pontellier’s Strip Tease of Essentiality: An Examination of the Metaphorical Role of Clothing in Kate Chopin’s The Awakening.” Sigma Tau Delta Review 7 (2010): 116–23.

Drucker, Johanna, ed. Le Petit Journal des Refuse’es. Houston: Rice UP, 2009. [Facsimile edition. Attention to Chopin short stories.]

Hebert-Leiter, Maria. “The Awakening Awakened.” In Becoming Cajun, Becoming American: The Acadian in American Literature from Longfellow to James Lee Burke, 57–78. Baton Rouge: LSU Press, 2009.

Wan, Xuemei. “Kate Chopin’s View on Death and Freedom in the Story of an Hour.” English Language Teaching 2.4 (2009): 167–70.

Powell, Tamara. “Chopin’s The Awakening.” Explicator 67.4 (2009): 276–79.

Jamil, S. S. “Emotions in ‘The Story of an Hour.’ ” Explicator 67.3 (2009): 215–20.

Liu, Hongwei. “Lun Li Huan Jing Yu Xiao Shuo Jue Xing De Ju Jue Yu Jie Shou” [in Chinese]. Foreign Literature Studies/Wai Guo Wen Xue Yan Jiu 30.6 (2008): 71–75.

Clark, Zoila. “The Bird that Came Out of the Cage: A Foucauldian Feminist Approach to Kate Chopin’s The Awakening.” Journal for Cultural Research 12.4 (2008): 335–47.

Zaugg, Brigitte. “Kate Chopin and Ellen Glasgow: Between Visibility and Oblivion.” Résonances 10 (2008): 179–202.

Russell, David. “A Vision of Reunion: Kate Chopin’s At Fault.” Southern Quarterly 46.1 (2008): 8–25.

Church, Joseph, and Christa Havener. “The ‘Lady in Black’ in Chopin’s The Awakening.” Explicator 66.4 (2008): 196–97.

Camastra, Nicole. “Venerable Sonority in Kate Chopin’s The Awakening.” American Literary Realism 40.2 (2008): 154–66.

Koloski, Bernard. “Kate Chopin: The Critics, the Librarians, and the Scholars.” In Earl Yarington and Mary De Jong, eds., Popular Nineteenth-Century American Women Writers and the Literary Marketplace, 471–85. Newcastle, UK: Cambridge Scholars Publishing, 2007.

Streater, Kathleen M. “Adele Ratignolle: Kate Chopin’s Feminist at Home in The Awakening.” Midwest Quarterly 48.3 (2007): 406–16.

Edwards, Bradley C. “Allusion and the Evolution of Artistry in Kate Chopin’s ‘A Wizard from Gettysburg’ and ‘After the Winter.’ ” American Literary Realism 39.2 (2007): 138–49.

Chen, Hui, and Chang Wei. “Meng Jing Shi Fen De Fen Ceng Gou Si Jie Du” [in Chinese]. Qilu Xue Kan/Qilu Journal 4 (2007): 111–14.

Witherow, Jean Adams. ” ‘To Love a Little and Then To Die!’: Chopin Awakens Emma Bovary.” Southern Studies 14.2 (2007): 29–48.

Johnson, Steven K. “Uncanny Burials: Post–Civil War Memories in Chopin and Bierce.” ABP Journal 2.1 (2006): np.

Parmiter, Tara K. “Taking the Waters: The Summer Place and Women’s Health in Kate Chopin’s The Awakening.” American Literary Realism 39.1 (2006): 1–19.

Church, Joseph. “An Abuse of Art in Chopin’s The Awakening.” American Literary Realism 39.1 (2006): 20–23.

Bloom, Lynn Z. “The Dinner Hours.” CEA Critic 69.1–2 (2006): 3–13.

Gaskill, Nicholas M. ” ‘The Light Which, Showing the Way, Forbids It’: Reconstructing Aesthetics in The Awakening.” Studies in American Fiction 34.2 (2006): 161–88.

Heuston, Sean. “Chopin’s The Awakening.” Explicator 64.4 (2006): 220–23.

Tritt, Michael. “Kate Chopin’s ‘Cavanelle’ and the American Jewess: An Impressive Synergy.” Mississippi Quarterly 59.3–4 (2006): 543–57.

Pierse, Mary S. “Paris as ‘Other’: George Moore, Kate Chopin and French Literary Escape Routes.” ABEI Journal: The Brazilian Journal of Irish Studies 8 (2006): 79–87.

Wasserstrom, Jeffrey N. “Searching for Emily Hahn on the Streets of St Louis.” History Workshop Journal 61 (2006): 214–21.

Frye, Katie Berry. “Edna Pontellier, Adèle Ratignolle, and the Unnamed Nurse: A Triptych of Maternity in The Awakening.” Southern Studies 13.3–4 (2006): 45–66.

Witherow, Jean. “Kate Chopin’s Dialogic Engagement with W. D. Howells: ‘What Cannot Love do?.’ ” Southern Studies 13.3–4 (2006): 101–16.

Malecka, Katarzyna. “Regaining of Sanity, Sexuality, and Self-Respect through Death; Or, the Story of Ophelia, The Awakening of Mrs. Pontellier, and the Triumph of Lily Bart.” MP Journal 1.3 (2005): 23–37.

Parvulescu, Anca. “To Die Laughing and to Laugh at Dying: Revisiting The Awakening.” New Literary History 36.3 (2005): 477–95.

Bradley, Patricia L. “The Birth of a Tragedy and The Awakening: Influences and Intertexualities.” Southern Literary Journal 37.2 (2005): 40–61.

Margraf, Erik. “Kate Chopin’s The Awakening as a Naturalistic Novel.” American Literary Realism 37.2 (2005): 93–116.

Hailey-Gregory, Angela. ” ‘Into Realms of the Semi-Celestials’: From Mortal to Mythic in The Awakening.” Mississippi Quarterly 59.1–2 (2005): 295–312.

Miall, David S. “Episode Structures in Literary Narratives.” Journal of Literary Semantics 33.2 (2004): 111–29.

Gray, Jennifer B. “The Escape of the ‘Sea’: Ideology and The Awakening.” Southern Literary Journal 37.1 (2004): 53–73.

Cunningham, Mark. “The Autonomous Female Self and the Death of Louise Mallard in Kate Chopin’s ‘Story of an Hour.’ ” English Language Notes 42.1 (2004): 48–55.

Stein, Allen. “Kate Chopin’s ‘A Pair of Silk Stockings’: The Marital Burden and the Lure of Consumerism.” Mississippi Quarterly 57.3 (2004): 357–68.

Mikolchak, Maria. “Kate Chopin’s The Awakening as Part of the Nineteenth-Century American Literary Tradition.” Interdisciplinary Literary Studies 5.2 (2004): 29–49.

Biggs, Mary. “‘Si Tu Savais’: The Gay/Transgendered Sensibility of Kate Chopin’s The Awakening.” Women’s Studies 33.2 (2004): 145–81.

Leder, Priscilla. “Kate Chopin’s Letter to the World: ‘Elizabeth Stock’s One Story.’ ” Amerikastudien/American Studies 49.2 (2004): 159–71.

Gibert, Teresa. “Textual, Contextual and Critical Surprises in ‘Désirée’s Baby.’ ” Connotations 14.1–3 (2004): 38–67.

Singer, Sandra. “Awakening the Solitary Soul: Gendered History in Women’s Fiction and Michael Cunningham’s the Hours.” Doris Lessing Studies 23.2 (2004): 9–12.

Martinez, Inez. “Reading for Psyche: Kate Chopin’s The Awakening.” Harvest: International Journal for Jungian Studies 50.2 (2004): 105–19.

Davis, Doris. “The Enigma at the Keyboard: Chopin’s Mademoiselle Reisz.” Mississippi Quarterly 58.1–2 (2004): 89–104.

Holtman, Janet. “Failing Fictions: The Conflicting and Shifting Social Emphases of Kate Chopin’s ‘Local Color’ Stories.” Southern Quarterly 42.2 (2004): 73–88.

Shaker, Bonnie James. “Kate Chopin and the Birth of Young Adult Fiction.” Defining Print Culture for Youth: The Cultural Work of Children’s Literature, edited by Anne Lundin and Wayne A. Wiegand, Libraries Unlimited, 2003, pp. 155–67.

Nixon, Timothy K. “Same Path, Different Purpose: Chopin’s La Folle and Welty’s Phoenix Jackson.” Women’s Studies 32.8 (2003): 937–56.

Goddard, Paula. “‘Mrs. Chopin was at Least a Decade Ahead of Her Time’: The Place of The Awakening in the American Canon.” 49th Parallel 11 (2003): np.

Stein, Allen. “The Kaleidoscope of Truth: A New Look at Chopin’s ‘The Storm.” American Literary Realism 36.1 (2003): 51–64.

Deneau, Daniel P. “Chopin’s ‘the Story of an Hour.’ ” Explicator 61.4 (2003): 210–13.

Bucher, Christina G. “Perversely Reading Kate Chopin’s ‘Fedora.’ ” Mississippi Quarterly 56.3 (2003): 373–88.

Jones, Paul Christian. “A Re-Awakening: Anne Tyler’s Postfeminist Edna Pontellier in Ladder of Years.” Critique 44.3 (2003): 271–83.

Gibert, Teresa. “The Role of Implicatures in Kate Chopin’s Louisiana Short Stories.” Journal of the Short Story in English 40 (2003): 69–84.

Varley, Jane, and Aimee Broe Erdman. “Working for Judith Shakespeare: A Study in Feminism.” Midwest Quarterly 44.3 (2003): 266–81.

Elz, A. E. “The Awakening and A Lost Lady: Flying with Broken Wings and Raked Feathers.” Southern Literary Journal 35.2 (2003): 13–27.

Rich, Charlotte. “Reconsidering The Awakening: The Literary Sisterhood of Kate Chopin and George Egerton.” Southern Quarterly 41.3 (2003): 121–36.

Cho, Ailee. “[Chopin and the Desire of Flight].” Nineteenth Century Literature in English 7.1 (2003): 119–34.

Valkeakari, Tuire. “A ‘Cry of the Dying Century’: Kate Chopin, The Awakening, and the Women’s Cause.” NJES: Nordic Journal of English Studies 2.1 (2003): 193–216.

Killeen, Jarlath. “Mother and Child: Realism, Maternity, and Catholicism in Kate Chopin’s The Awakening.” Religion and the Arts 7.4 (2003): 413–38.

Skredsvig, Kari Meyers. “Mapping Gender: Feminist Cartographies in Kate Chopin’s ‘Regionalist’ Stories.” Revista de Filología y Lingüística de la Universidad de Costa Rica 29.1 (2003): 85–101.

Petruzzi, Anthony P. “Two Modes of Disclosure in Kate Chopin’s The Awakening.” Lit 13.4 (2002): 287–316.

Maguire, Roberta S. “Kate Chopin and Anna Julia Cooper: Critiquing Kentucky and the South.” Southern Literary Journal 35.1 (2002): 123–37.

Dyer, Joyce. “Reading The Awakening with Toni Morrison.” Southern Literary Journal 35.1 (2002): 138–54.

Mathews, Carolyn L. “Fashioning the Hybrid Woman in Kate Chopin’s The Awakening.” Mosaic 35.3 (2002): 127–49.

Disheroon-Green, Suzanne. “Whither Thou Goest, we Will Go: Lovers and Ladies in The Awakening.” Southern Quarterly 40.4 (2002): 83–96.

Weinstock, Jeffrey Andrew. “In Possession of the Letter: Kate Chopin’s ‘Her Letters.’ ” Studies in American Fiction 30.1 (2002): 45–62.

Skredsvig, Kari Meyers. ” ‘Places of the Heart’: Female Regionalist Writers in Nineteenth-Century U.S. Literature.” Revista de Filología y Lingüística de la Universidad de Costa Rica 28.1 (2002): 81–91.

Shaker, Bonnie James. “Kate Chopin and the Periodical: Revisioning the Re-vision.” The Only Efficient Instrument: American Women Writers and the Periodical, edited by Aleta Feinsod Cane and Susan Alves, U of Iowa P, 2001, pp. 78–94.

Anderson, Maureen. “Unraveling the Southern Pastoral Tradition: A New Look at Kate Chopin’s At Fault.” Southern Literary Journal 34.1 (2001): 1–13.

Pizer, Donald. “A Note on Kate Chopin’s The Awakening as Naturalistic Fiction.” Southern Literary Journal 33.2 (2001): 5–13.

Crosland, Andrew. “Kate Chopin’s ‘Lilacs’ and the Myth of Persephone.” ANQ 14.1 (2001): 31–34.

Bunch, Dianne. “Dangerous Spending Habits: The Epistemology of Edna Pontellier’s Extravagant Expenditures in The Awakening.” Mississippi Quarterly 55.1 (2001): 43–61.

Muirhead, Marion. “Articulation and Artistry: A Conversational Analysis of The Awakening.” Southern Literary Journal 33.1 (2000): 42–54.

Staunton, John A. “Kate Chopin’s ‘One Story’: Casting a Shadowy Glance on the Ethics of Regionalism.” Studies in American Fiction 28.2 (2000): 203–34.

Bartley, William. “Imagining the Future in The Awakening.” College English 62.6 (2000): 719–46.

Hutchisson, James M. “‘Elizabeth Stock’s One Story’: Kate Chopin and the Writing Lives of Women.” Topic 50 (2000): 70–76.

Treu, Robert. “Surviving Edna: A Reading of the Ending of The Awakening.” College Literature 27.2 (2000): 21–36.

McGee, Diane. “The Structure of Dinners in Kate Chopin’s The Awakening.” Proteus 17.1 (2000): 47–51.

Fitz, Brewster E. “Kate Chopin’s ‘Désirée’s Baby’: Emancipating the Readers.” Short Story 8.1 (2000): 78–91.

Barrish, Phillip. “The Awakening‘s Signifying ‘Mexicanist’ Presence.” Studies in American Fiction 28.1 (2000): 65–76.

Berkove, Lawrence I. “Fatal Self–Assertion in Kate Chopin’s ‘The Story of an Hour.’ ” American Literary Realism 32.2 (2000): 152–58.

Faraudo, Rosario. “El Trágico Vuelo De Icaro. Entramado Mitológico y Simbólico Que Subyace En The Awakening De Kate Chopin” [in Spanish]. Anuario de Letras Modernas 10 (2000): 43–50.

Yoon, Junggil. “[The Significance of Music in Kate Chopin’s The Awakening].” Journal of English Language and Literature/Yongo Yongmunhak 46.2 (2000): 507–27.

Ferreira, Maria Aline Seabra. “An-Other Jouissance: Secular and Mystical Love in Kate Chopin’s ‘Two Portraits.’ “ Literature and Psychology 46.4 (2000): 42–56.

For Scholars: How You Can Contribute to This Website

KateChopin.org draws on scholars’ discoveries and insights to offer accurate, up-to-date information about Kate Chopin and her work. We seek to incorporate scholarly contributions to the site in several ways:

Listings of scholarly books, book chapters, and articles about Chopin

We seek to be comprehensive, to list useful publications about Chopin. If you’ve published something we’ve missed, please tell us; we’ll be glad to add it. If a book or article we’ve listed is now available online, please send us the link and we’ll add that to the entry. You can find lists of scholarship at the bottom of those pages of the site devoted to a novel or short story.

References to scholars’ publications in questions and answers

When a visitor to the site poses a question, we try to direct readers to scholars’ publications in our answer. If we’ve missed your work in answering a question, tell us about that? If nobody has posed an important question that your publication deals with, write to us? You can find an example of scholars’ work being referred to in a question’s answer at many places on the site.

Direct appeals to scholars over answers to readers’ questions

At times we’ve asked scholars for their opinion on a subject posed by a visitor. When we received a question about the expression “yellow nurse” in “Désirée’s Baby,” we asked Emily Toth, Tom Bonner, and Barbara Ewell to discuss the matter. If you would like us to call on you when a question comes up, write to us and explain the areas of Chopin’s work you are most interested in.

Direct contributions to the site

If you’re a scholar or an advanced graduate student and have something fresh to add about Chopin’s work or her life, we invite you to submit a brief comment for posting on the site. We’re thinking 300 to 400 words might be a good length for a comment too short for a full-fledged essay, or it might be an appropriate length for an excerpt from a conference presentation you’d like to share with a larger audience. We’ll include your name and your academic or other affiliation, we’ll keep your posting up on the site, and we’ll link it to from relevant pages on the site. For example, if you post a discussion about “The Story of an Hour,” we’ll link to it on the site’s page devoted to that story.

But do keep our readers in mind. KateChopin.org often receives a thousand or more of visits a day from people in countries around the world–students, scholars, teachers, librarians, journalists, translators, film makers, playwrights, book-club members, bloggers–readers of all kinds who come to the site for information about Chopin and her work. Please write clearly and avoid unnecessary jargon.

We’ll copyedit your discussion and check with you before we post it.

We cannot know if your department or university will accept what we publish on KateChopin.org as a contribution to your scholarly growth, but the  site received nearly half a million visitors in 2014, so we are fairly confident that your work will be available to a large and interested readership. And information on the site is copyrighted.

The MLA International Bibliography indexes the pages on this website.

If you’re interested, contact us?